Paradigms Pictures



  

From left Quinton 'Rampage' Jackson, Danny Strong, Kate Del Castillo, Sherman Augustus, Art LaFleur.

FOR IMMEDIATE RELEASE.

April 15, 2008

NL3 AUDIO CELEBRATES SUCCESS AS “BAD GUYS” WINS THREE CATEGORIES

(BEVERLY HILLS, CA) Re-Recording Mixer and Sound Designer Nathan Smith was on hand Wednesday for the successful Premiere of Paradigms Pictures’ "Bad Guys," at the 2008 Beverley Hills Film Festival.

At the 8th Annual International Beverly Hills Film Festival (BHFF) closing Gala Awards ceremony, the pulp crime drama “Bad Guys,” directed by Rick Jacobson captured three awards, including the Audience Choice Award for Best Feature Film, Best Producer and Best Actor.

2008 BEVERLY HILLS FILM FESTIVAL AWARD WINNER: 

The event, which was held on Sunday night, April 13, 2008, at the Beverly Hills Hotel (9641 Sunset Boulevard), was attended by over 200 independent filmmakers, as well as City notables and industry VIPs.

The five-day festival, featuring premieres, parties and panels kicked-off  Wednesday, April 9th with an Opening Night red carpet event at the Clarity Theater in Beverly Hills, featuring World Premieres of  “Bad Guys” and Ondamax Films’ “Thunder Man: The Don Aronow Story,” directed by Andrew Wainrib and narrated by Andy Garcia.  Danny DeVito and Rhea Perlman came out to support the West Coast Premiere of producer Polly Walter’s “Cat Dragged In,” directed by Nils Tim, and “Hole in the Paper Sky” also had its West Coast Premiere.  Sponsors included GQ magazine, Mercedes-Benz and Proximity by Axe.

2008 Beverly Hills Film Festival Awards

Best Actor went to Sherman Augustus for his role in “Bad Guys,” directed by Rick Jacobson.

Best Producer went to Frederico LaPenda for “Bad Guys.”

Best Feature Film went to “Bad Guys,” directed Rick Jacobson.

For more information on the festival, please visit www.beverlyhillsfilmfestival.com



 

Three-Headed Monster



  

From left Actor Andrew Petrus and William S. Jones

August 14, 2006: Date in print

Red White Black & Blue (Documentary)

By JAY WEISSBERG

A Rainstorm Entertainment presentation of a A Three-Headed Monster production. Produced by Tom Putnam, Jeff Malmberg, Matt Radecki, Michael Harbour. Executive producers, Steven G. Kaplan, Gregg L. Daniel. Directed by Tom Putnam.

With: William S. Jones, Andrew Petrus, Woodrow Arndt, Ian W. Beaton, Walter Bradshaw, Dayton Drewry, Edward Dupont, Armando Gonzales, Michael Haller, Marvin Hiatt, Robert Hoffmeir, Allan J. Jantz, Albert King, Michael McLaughlin, Jeff Murphy, Roy Patterson, Owen Pierce, Laura Tatsaguchi-Davis.

In June 1942, American soil was invaded for the first time since 1812; 11 months later the U.S. sent ill-equipped troops to the Aleutian Island of Attu to recapture it from the Japanese. With unerring visual acumen, "Red White Black & Blue" rescues the battle from oblivion while asking how 4,000 dead soldiers became an obscure footnote in history. Keeping the focus on two veterans of the battle, helmer Tom Putnam reveals the psychological scars of warfare with a respect that doesn't preclude deeper questions about morality. Docu has legs strong enough to proudly stand at indie cinemas and fests before likely PBS/cable broadcast.

Attu is considerably closer to Russia than mainland Alaska, making it an obvious choice for a Japanese invasion during World War II. When Hirohito's forces landed, the U.S. government kept the info under wraps for fear the news would demoralize the country.

Convinced the army would take back the island quickly, the Pentagon didn't bother to equip the men with necessary gear: no gloves, rubber boots, winter coats or decent maps. Frostbite and trench foot soon decimated the infantry, and the battle, according to vet Andy Petrus, was considerably worse than Okinawa; the number of U.S. casualties (as opposed to fatalities) was only rivaled by Iwo Jima in the entire war.

Putnam doesn't address of the question of why the battle has been forgotten (though the decreasing emphasis on history teaching surely deserves part of the blame). What he and his team are more interested in is the rocky psychological territory left behind when soldiers are placed in a kill or be killed situation. In veteran Bill Jones, they found the ideal man to focus on in regard to their interests.

Jones, a farm boy from southern New Jersey, wound up as squad leader during the 19-day fight, in which the Japanese always maintained the high ground and regular sniper fire turned the conflict into a vicious war of attrition.

Putnam interviews Jones on multiple occasions, on and off Attu: He comes off as intelligent, fiercely patriotic, jingoistic in the way of his generation (the Japanese are still "Japs"), and still struggling with memories that will not die. "When you use a flamethrower on somebody and they're on fire and they scream...," he recalls before tears prevent him from continuing.

One of Putnam's strengths is his ability to capture the conflicting forces that still tear Jones apart: unswerving loyalty to his country, unquestioning obedience to the army, and yet a deep humanity.

Impeccably researched and supplemented with excellent historical footage, docu is the perfect riposte to the current fad for reconstructions, proving that such jarring gimmicks are unnecessary when subjects are tackled with creativity and sensitivity.

Terrific editing by Jeff Malmberg (also a producer) juxtaposes interviews in a way that subtly reveals the conflicting nature of Jones' attitudes without undermining the veteran's integrity.

Thanks to the island's unchanged landscape and harrowing photographs of the battle's aftermath, Putnam and his team seamlessly duplicate shots, displaying B&W images of mangled bodies in the barren tundra that fade into the exact locations today.

Camera (color/B&W, DV, 16mm-to-Beta), Matt Radecki, Alex Vendler; editor, Jeff Malmberg; music, Jay Clarke, Jess Stuart Saltzman; sound (Dolby stereo LTRT), Nathan Smith; associate producer, Lori Putnam. Reviewed at Locarno Film Festival (Critics' Week), Aug. 4, 2006. Running time: 85 MIN.




 

Fox Searchlight



  

From left Actor Morgan Rusler, Sound Designer Nathan Smith, Director Tom Putnam, Editor Jeff Malmberg.

FOR IMMEDIATE RELEASE.

January 30, 2005

NL3 AUDIO CELEBRATES TREMENDOUS SUCCESS IN PARK CITY.

(PARK CITY, UT) Senior Sound designer and CEO Nathan Smith was on hand Friday for the Premiere of Fox Searchlight's "Broadcast 23," at the Sundance Film Festival and two panel discussions on the convergence of the film and video game industries at the Slamdance Film Festival. This marks NL3Audio's first appearance in the Sundance Film Festival and second at the Slamdance FF.

Broadcast 23, a new take on the Bigfoot story, has been considered by many to be one of the best films in the festival. "The sound design is the emotional gravity of the film," said Director Tom Putnam. "We shot MOS. Without the sound design, ADR and custom Foley from NL3Audio Broadcast 23 would have no emotional impact. The texture and nuance of the sound design compels the audience to connect with this film at an emotional level that is just not possible with field audio alone. The mix on the 35mm prints sound great." Major independent film publication Film Threat has declared "Broadcast 23" as one of the top two best films you didn't see in 2004."

At the Slamdance Film Festival, NL3Audio has further established its leadership in the field of video game audio design through major participation in the Bawls Big C Game competition. Nathan Smith represented the fields of film and game audio design on the Big C "Game and Film Convergence" and "Machinema" panels. "Nathan brings an indispensable insight into the realms of sound design for both video games and film" said Carolyn Coughan, director of the Big C gaming competition. "He is one of the few working professionals who has success in both genres. His insight is extremely valuable to up and coming game designers."

Two productions that saw NL3Audio's work at the festivals in Park City have hired NL3Audio for their upcoming features. Seven Guns productions has chosen NL3Audio to do complete audio post production on the up coming documentary Attu ("Sons of the Williwaw"). The film is based on the Japanese invasion of the Aleutian Islands in Alaska. Zöe Productions has also chosen NL3Audio to do complete audio post production on their up coming documentary on Metro Transit Authority (MTA) bus system in Los Angeles.




 

Audience Sparky for Best Feature


 
From left Editor Matt Scott, Karin Hayes, Juan Carlos Lecompte, Victoria Bruce, Sound Designer Nathan Smith

Doc Missing Peace Wins Best Feature at Slamdance. Jan 24, 2003 PARK CITY, UT.

The Slamdance Film Festival announced its “Sparky” winners tonight in nine categories. The feature length documentary “Missing Peace” (USA, 82 min, 2003) beat out stiff competition including 26 fictional and documentary films to claim the Sparky audience award for Best Feature.

Accepting the award were Co-Producers/Directors Karin Hayes and Victoria Bruce accompanied by Juan Carlos Lecompte, Ingrid’s husband and the current Managing Director of the Oxygen/Green party of Columbia. In accepting the award, Ms. Bruce stated, “in accepting this award, we acknowledge the help and support of so many who have made this possible. Yet tonight we are humbled. This award in an honor but we cannot truly celebrate until Ingrid is returned to us.”

Missing Peace is the true story of love, politics and the kidnapping of Columbian Senator and Presidential candidate Ingrid Betancourt in early 2002 by FARC guerrillas. Since the beginning of her congressional term in 1994, Betancourt has stirred up controversy by publicly naming names of corrupt politicians including then President Samper who was accepting funds from drug cartels.

In the wake of her kidnapping, Ingrid’s media shy husband Juan Carlos continued her campaign. He has become well known in Columbia and throughout Europe for continuing to campaign for Ingrid’s beliefs and her freedom. Juan Carlos has stated that he “hopes this film will bring attention here in the states to the struggle Ingrid and of all Columbians. President Uribe will listen to the United States Government. I hope the American people will learn about Ingrid and write to their congressmen so the United States will bring political pressure on Uribe to push for her release.” Ingrid’s story is already well known throughout Europe. The French and German governments have sent special emissaries to Columbia in unsuccessful attempts to secure Ingrid’s release.

Since arriving in Park City, UT on Monday, Juan Carlos has hit the publicity circuit hard. He has made appearances on CNN, given interviews to El Tempo and done many interviews with regional and local media in English and Spanish. Winners were awarded “Sparkies” (bronze statuettes shaped like sitting dogs) at the Closing Night Award Ceremony.

Slamdance will screen winners from all categories in “Best of Slamdance” retrospectives in Salt Lake City, New York and Los Angeles. Missing Peace can be seen on Jan 25 at 3 p.m. the Treasure Mountain Inn in Park City, UT; at the American Cinematheque at the Egyptian Theater in Hollywood, CA on Feb, 13 at 7p.m. and at the Too Boots Pioneer Theater in New York City on Tuesday Feb, 21 at 8 p.m. No information on distribution was available at press time.

More information on Missing Peace can be found at www.missingpeace.info and www.betancourt.info.
   


       

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